A more unsettling type of entrancement awaits in “Death Has No Master,” a Venezuelan drama from Jorge Thielen Armand—also in Directors’ Fortnight—about a woman named Caro (Asia Argento) who returns to ...

This dispatch contains reviews for two films in the Director’s Fortnight Section and one film in Critics’ Week that may go down as not only the best film of the festival, but one of the best films to ...

Three films that foreground the experience of women navigating what agency remains accessible to them in patriarchal ...

“Fjord,” Cristian Mungiu’s drama about a Romanian family that is targeted by child services in Norway, won the Palme d’Or at ...

While we try to divide and conquer a large amount of the Cannes program, including every one of the Competition titles, the scheduling inevitably leads to situations where a writer on this team sees ...

Dua, we find, lives with an older brother and sister, her unemployed mother and father, in a household that requires odd jobs ...

Mating Season” gets off to a truly rocky start, but, and I can’t say for sure if it finds its footing or if I just joined its ...

The 2026 Cannes Film Festival starts Tuesday, May 12th, running through May 24th. The Ebert team returns this year with ...

It’s been nine long years, but Grisebach has been deservedly elevated to competition with “The Dreamed Adventure,” an extreme ...

Midnights have become an unusual program at Cannes, especially as genre titles have broken free from the containment of the ...

When we first meet Paula (Tatiana Maslany), the protagonist of Apple TV+’s new series “Maximum Pleasure Guaranteed,” she’s ...

Most importantly, Barnard pulls affecting performances from her talented ensemble, giving them the space to express jubilant ...