The groundbreaking stop-motion film studio celebrates its 20th anniversary with not only its latest feature, Wildwood, but also a comprehensive new book reflecting on the studio’s two decades of ...

Author and designer Annie Atkins joined us for a Q&A at our first Nicer Tuesdays of the year in London to talk us through her career, beginning at her first design job on BBC’s The Tudors to working ...

The photographer’s first photobook brings together 50 people over 220 pages, to question and examine what it means to “look or act” like a dyke today.

Xiao Hua Yang paints in unfamiliar purples, greens and yellows, rendering the natural world as something alien but always exciting.

Animators Will Anderson and Ainslie Henderson share just how the uncanny homonculi came to life using stop motion, live action puppets, a splash of CG and heaps of imagination. (Contains spoilers.) ...

Christopher Mcholm, an artist from Cranbrook, Canada, doesn’t need to be asked how he creates his art – it’s straight to the point. In a visual culture where we’re often asking artists ‘what program ...

For ten years, creative director Jas Bell has been at the forefront of SZA’s visual output – here he explains how everything from colourways to textures and temperatures “are there to tell a story” ...

Our Naarm correspondent explores this futuristic yet natural and tactile visual language which is growing exponentially across her home city.

Artist Liang-Jung Chen joined us in London to talk about their unique viral art project – a screen-recorded, multimedia art piece that detailed the process of obtaining an indefinite leave to remain ...

For our first Nicer Tuesdays of 2026, the iconic photographer Derek Ridgers joined us in London for a retrospective of his decades-spanning portfolio. From his early work for Island Records (when he ...

Inspired by Alejandro Jodorowsky’s bizarre palettes, science fiction and punk music, this painter works with a comic vibrancy.

People think opera and ballet isn’t for them – that it’s elitist, expensive and intimidating. Institutions need to change that perception, argues Base Design’s Thierry Brunfaut.