Add Yahoo as a preferred source to see more of our stories on Google. Catherine Breillat doesn't make porn. Anyone familiar with the 73-year-old French auteur knows her frank portraits of female ...

Add Yahoo as a preferred source to see more of our stories on Google. "One mistake that people often make is they confuse the script with the film," Breillat told IndieWire. "The script is just a tool ...

16/05/2002 - When Catherine Breillat opened the two week festival for the Directors, the «first time» resulted in a burst of laughter. «Makings of reveal the appearance of a film but never its heart».

French director Catherine Breillat has been breaking taboos throughout her career and her new Cannes Palme d’Or contender Last Summer is no exception. The erotic thriller stars Lea Drucker as Anne, a ...

Even at age 64, Catherine Breillat remains one of French cinema’s true enfants terribles. Her latest project, “Abus de faiblesse,” is an autobiographical film about her complex relationship with ...

It’s been a long decade’s wait since Catherine Breillat’s last feature, the semi-autobiographical Abuse of Weakness with Isabelle Huppert, but Last Summer shows the uncompromising French filmmaker in ...

Add Yahoo as a preferred source to see more of our stories on Google. Breillat said she feels that Kechiche, whose 2019 Cannes film "Mektoub, My Love: Intermezzo" appalled audiences with its graphic ...

The first time Asia Argento appears in Catherine Breillat‘s “The Last Mistress,” she fills the frame, reclining on a couch with devilish confidence as her character, Vellini, discusses the upcoming ...

Filmmaker Catherine Breillat (Fat Girl) has long made sex and female desire her central subjects, variously examining sexual awakening, sexual taboos, and transgressive habits in her work. Breillat’s ...

Add Yahoo as a preferred source to see more of our stories on Google. Asia Argento Rips Catherine Breillat for Harvey Weinstein Defense, Says Director Abused Her on Set Actress Asia Argento struck ...

In “Bluebeard,” a sly rethink of the freakily morbid fairy tale, the filmmaker Catherine Breillat makes the case that once-upon-a-time stories never end. Divided into two parallel narratives one ...

The provocative French auteur tells IndieWire how she finds meaning beyond the script in her approach to both the camera and the actors. “One mistake that people often make is they confuse the script ...