Anna Karenina (Keira Knightley) and Count Vronsky (Aaron Taylor-Johnson) share their first dance at a St. Petersburg ball, Joe Wright's camera capturing the electric chemistry as propriety dissolves ...

Great love stories and great literary adaptations are hard to come by. And while not great, Joe Wright's spin on Leo Tolstoy's "Anna Karenina" is one of the most inventive, visually lush films you ...

The costumes, designed by Tom Pye, are superb. While the men are modestly and stylishly attired in black, the women’s dresses are shaped and decorated to catch the eye and flatter the wearers, with ...

Diana Vishneva and Konstantin Zverev as Ratmansky's Anna and Vronsky Instead, scenes, mostly pas de deux, zip past at breakneck pace. Anna (Diana Vishneva) is dead in a prologue; then Anna meets ...

Be swept away by the lush masterpiece that is "Anna Karenina," make your moves on the dancefloor, or check out one of Cleveland's top dance troupes this Friday: "Anna Karenina": Joe Wright's sweeping ...

But his ballet vision is, to Western eyes, still stuck firmly in those decaying decades of the fin-de-Soviet empire, when the Lycra ballet was king, and clutch ‘n’ grope the method of choice. If Ken ...

AS Tolstoy put it, at the start of “Anna Karenina”: “Happy families are all alike; every unhappy family is unhappy in its own way.” By the same token, ballets about love are all alike, and Boris ...